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Elizabeth Arden and the suffragettes, continued

I was trying in vain to catch up on some beauty news many moons ago and came across this article at Who What Wear – yet another on the history of red lipstick. There were a lot of things that bothered me about it, but the number one offense was the doubling down on the myth of Elizabeth Arden handing out lipstick to suffragettes during a 1912 march in New York City. After recognizing this claim’s veracity was murky at best, the article’s author stated, “I wanted to know more, so I went straight to the source: Elizabeth Arden, the very same global beauty brand founded by the namesake cosmetics maven.” A brand can certainly be used as a source, provided there are legitimate historical records that serve as evidence for their claims. However, in this piece there were many statements made by Janet Curmi, VP of global education and development at Elizabeth Arden, without anything to back them up. “On November 9, 1912, 20,000 women took to the streets of New York to advocate for the right to vote. Elizabeth Arden, a dedicated suffragette herself, opened the doors of her New York spa to hand out her Venetian Lip Paste and Venetian Arden Lip Pencil, before joining the suffragettes marching down Fifth Avenue as a sign of solidarity. The most striking sight was the bold red color on the women’s lips.” The accompanying photo shows suffragettes marching at the May 4, 1912 event (not November)…with nary a one wearing visible lip color. Just for funsies I reviewed some news coverage on the November march.* As with the May march, they describe quite a few details, including the exact route and the women’s clothing, but lipstick is not among any of them.

Women's march May 1912

Women’s march, May 1912

I am very interested to know where Curmi got this information. Arden wasn’t, in fact, particularly known as a “dedicated suffragist.” The legend of her providing lipsticks to marching suffragettes goes back to at least 1999 and names the May 4 rally (see Lucy Jane Santos’s outstanding effort to unravel its history, along with my findings), so November 9 appears to be a new twist on the mythos. Another addition is the reference to Venetian Lip Paste and Pencil specifically being given to suffragettes. As far as I can tell, no particular products were mentioned in the Arden suffragette story until 2021, when author Louise Claire Johnson published a book entitled Behind the Red Door: How Elizabeth Arden’s Legacy Inspired My Coming-of-Age Story in the Beauty Industry. Johnson states that Arden provided Venetian Lip Paste and pencil to the crowds at the November march, but does not cite an exact source: “However, six months later, on November 9, 1012, Elizabeth could no longer sit idly by in silence. Shuttering the salon for the day, she took to the streets and joined 20,000 women, double the size of the previous parade, and advocated for the right to vote. The most striking sight was the bold red color on the women’s lips, as they vibrantly spoke their truth. Elizabeth weaved among the masses handing out her Venetian Lip Paste and Venetian Arden lip pencil in deep red – the original ‘lip kit’. In history, it is often the slightest gestures that become revolutionary. The red lip kits were small, yet mighty weapons – a red pout in place of a middle finger against the patriarchy. Red lips were still considered illicit and immoral, so the women wore them in unison as a rebellious emblem of emancipation. Makeup was no longer a sign of sin but of sovereignty.” (p. 63-64)

While it’s been confirmed that Arden had a line of “Venetian” skincare products by 1912, her lip makeup products were still in development. There was a Venetian Lip Salve advertised in Vogue, but I’m guessing it was a clear or slightly tinted balm and not “paint”, and I could not find any mention of Venetian Lip Paste/Pencil until 1919. Additionally, 2 pages after her claim of the paste and pencil being being handed out, Johnson seems to contradict herself by stating that “after the suffrage parade, [Arden] started introducing makeup products into her Venetian skincare line.” So if the makeup was not introduced until after the parade, how was it handed out? It’s entirely possible Arden was making a prototype of these lip items available through her salons – most likely she was mixing up limited, small batches of makeup to select clients who requested it – but no ads, trademark, etc. for Venetian Lip Paste and Lip Pencil prior to 1919 seem to exist, which leads one to believe that they were not being mass produced and able to be distributed to thousands of people. Perhaps any records relating to the origins of Venetian Lip Paste and Lip Pencil and for that matter, any records of Arden giving them out at a rally are in the mysterious “Elizabeth Arden papers”, which, as one historian explains, are scattered about across the U.S. and not readily available. Still, I find it curious that the company has never provided any documentation that Arden handed out lipstick, and specific products at that. I also reached out to Behind the Red Door’s author – twice – asking for her to clarify where she came across the story of the Venetian lip products and did not receive a reply.

Curmi further embellishes the tale by remarking that mostly because of Arden, suffragette leaders began to wear red lipstick as well. “While turn-of-the-century actresses like Sarah Bernhardt and Mary Pickford helped to bring red lipstick into vogue in 1912, it was Elizabeth Arden who gave it political power, elevating it to a symbol of rebellion and female empowerment…red lips were still considered illicit and immoral at the time, so the women wore them in unison as a rebellious emblem of emancipation and defiance. [Leaders] of feminist movements such as Elizabeth Cady Stanton and Charlotte Perkins Gilman began sporting red lips as a symbol of female empowerment. Since then, red lipstick has mirrored resilient femininity.” Once again, I’m going to direct you to Lucy’s article on the subject, where she points out that Elizabeth Cady Stanton died in 1902. Continuing to wear lipstick 10 years after one’s death would be quite an impressive feat, no?

Finally, anyone who has researched makeup’s rise in the early 20th century understands there were many other factors at play in terms of how lipstick and other makeup became socially acceptable. Yes, wearing obvious makeup was certainly a seismic cultural shift and viewed as rebellious, but it cannot be credited to any one person or movement. “One of the first female entrepreneurs in 20th century America, Arden remarkably turned a $6000 investment into a billion-dollar brand. She opened the Red Door Spa on Fifth Avenue in New York City in 1910 at a time when makeup and cosmetics were considered improper. She was instrumental in changing how the world thought about beauty—the ultimate influencer,” Curmi says. These statements demonstrate the pitfalls of letting a company executive guide the narrative instead of an actual historian, as a brand employee has a vested interest in presenting their business as groundbreaking rather than telling the truth. In this case, not only does Curmi offer no hard proof for the suffragette-related claim, she conveniently leaves out the contributions of other major “influencers” of the time, i.e. Helena Rubinstein, Max Factor and Madam C.J. Walker, to say nothing of smaller brands and figures, technological advances, and economic and political factors other than suffrage. Obviously these omissions make sense as her role is to promote the Arden brand and because the reporter reached out to Arden specifically and not other companies for this article, but they also make for a rather incomplete and biased snapshot of lipstick’s history.

Finally, the subject of makeup and political power is one for another time, but for the record, most early advertising marketed it as a way to better meet white supremacist beauty standards and continue enforcing compulsory heterosexuality rather than for any “empowering” purpose. Once again, nuance is wholly neglected in favor of pushing a feel-good story that serves primarily to buoy a company’s reputation.

I’m ending this post with several requests. For journalists, one: if you must interview brand representatives, please do not rely on them as a credible source for the stories you’re trying to get to the bottom of, unless they furnish documentation from the company’s archives or other legitimate pieces of evidence. Otherwise your article runs the risk of resembling a glorified ad rather than journalism. Two: please choose another makeup topic to cover besides red lipstick (or at least, an angle not focused on cis-het white women’s history). Maybe red lipstick’s fame and status as a “classic” means stories about it get more clicks, but makeup history is so incredibly varied and rich, many other subjects would be of interest to the general public. The last plea I’m making is for the Elizabeth Arden company to show the world a shred of historical evidence that their founder provided lipsticks to suffragettes. We’re still waiting.

*These were all from the New York Times: “400,000 Cheer Suffrage March,” Nov. 10 1912, p. 1; “New States to Lead in Suffrage Parade: Army of 20,000 Expected to Participate in Fifth Avenue Procession,” Nov. 9 1912, p. 22; “Torches in Hair to Guide Parade: Electric Novelties Planned for Tomorrow’s Big Suffrage Demonstration,” Nov. 8 1912, p. 7.

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